Your own worst enemyĭespite being a roguelike with survival elements, Windbound never feels all that difficult. I was really disappointed that there wasn’t more depth to the story, as Kara’s journey could have been really interesting if utilized correctly. In fact, the narrative itself is so thin, that it might as well not even exist. That’s the case with Windbound as the roguelike elements work, but they never really fit the narrative all that well. One of the biggest problems with trying to make a game that fits into so many different niches is that the finished product often finds itself struggling to really find itself. Any hope of an in-depth narrative that pushes you along is quickly dashed by clunky movement systems, crafting that never really has much meaning, and an overall frustrating survival experience. Part narrative experience, part survival crafting game, and part roguelike, Windbound struggles to find itself after those strong opening moments. With no idea which direction her tribe has gone, she must work to find them and survive in a beautiful and vibrant world of islands that change quite a bit each time you play through those sections. Kara, a young tribe member, finds herself washed ashore on a mysterious island. Right from the onset, Windbound does a great job of throwing players into what seems like it is going to be an engaging narrative. What lies beyond the portal? Will Kara manage to meet back up with her tribe? There’s a lot of promise here, but ultimately Windbound fails to realize its true potential, leaving players lost in a sea of disappointing survival mechanics and a very thin narrative. Kara soon finds herself lost at sea, standing in front of a massive portal. The opening sequence does a lot to pull the player in, introducing you to Kara quickly and efficiently.
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The astronauts take a moment to say goodbye to their comrade, Oleg.Ģ.
This is the remainder of the "James Bond in Japan" cue. This cue comes right after "Dead on the Job" in the cue, "James Bond in Japan" I added about 2 seconds of silence at the end of this track, so the transition to the title song is not as jarring. It comes right after the "Gunbarrel" at the 23 second mark (23.777 to be precise) I overlapped "Capsule in Space" onto the "Gunbarrel" at 23 seconds, and they segue perfectly into one another. The "gunbarrel" comes from the first 23 seconds of "James Bond in Japan". The new album doesn't have the Dionne Warwick or Shirley Bassey renditions, and I'm not entirely sure that they are really missed. I did make a 2 CD set, but I'm not sure I'm entirely happy with it. Kiss Kiss Bang" that can be included, but I'll warn you, they will not all fit on one CD. This cue comes right after "Death of Largo" on track 17.Īfter this, there are various versions of "Mr. This cue comes right after "Underwater Mayhem" on track 17. I faded out "The Bomb" and mixed in "Bond Joins Underwater Battle" around the 1:21 mark. The second part of this cue comes right after "Leiter to the Rescue" on track 16. The first 1:23 of this track comes from the first 1:23 of track 5, "The Bomb". This cue comes right after "Bond with SPECTRE Frogmen" on track 16. This cue comes right after "Finding the Plane / Underwater Ballet" on track 16. Finding the Plane / Underwater Ballet 1:51 This cue comes right after "Lights Out for Paula" on track 14.ġ9. This cue comes right after "Shark Tank" on track 14. This cue comes right after "Bond Meets Domino" on track 14. On the old CD this cue was mistakenly called "Cape Martinique". It starts right on the shot of Count Lippe after Blofeld orders his execution. Just for fun, watch it with the film playing. This cue comes right after "Gassing the Plane" on track 13. The first part of the cue will be used later. This is the second part of track 5, from the 1:23 minute mark until the end. This cue comes right after "Traction Table" on track 13. I also added some silence at the end of this track. I faded it in quickly, so as not to lose the sax in the beginning, but to get rid of the fade out of the "Gunbarrel". This cue comes right after "Gunbarrel" on track 13. I then did a fade between "Gunbarrel" and "Chateau Flight". "Gunbarrel" comes from the first 21 seconds of track 13. On my Goldfinger album I have also included Anthony Newley's recording of the theme from the 30th Anniversary album. The earlier album mistakenly combined two cues, and they had to be edited apart.ĥ, 1, 2, 12, 3, 13, 14, 15, 6, 7, 4, 9, 10, 11, 8 This is an easy one to start with since the new re-mastered album can be programmed to play in sequence. This is also the latest version so if you've done this already, you might just want to make sure you have the most up to date edition. A lot of people really like having the ability to program or edit these CD's into chronological order so below you will find what needs to be done for each album. This is something I've written about quite a bit since the five expanded James Bond albums ( Thunderball, You Only Live Twice, On Her Majesty's Secret Service, Diamonds are Forever and Live and Let Die) were released in February 2003. Weiss also brought in soprano Anita Darian to reprise Yma Sumac's version, before, during and after the soprano saxophone solo. Weiss wrote the English lines "In the jungle, the mighty jungle, The lion sleeps tonight ." and "Hush, my darling, don't fear, my darling ." In 1961, two RCA Records producers, Hugo Peretti and Luigi Creatore, hired Juilliard-trained musician and lyricist George David Weiss to arrange a Doo-wop and Rhythm & blues cover of "Wimoweh" for the B-side of a 45-rpm single called "Tina", sung by group The Tokens. However, Miriam Makeba, in 1960, recorded the same song as "Mbube", with the writing credit given to "J. The song was also covered extensively by other folk revival groups such as The Kingston Trio, and exotica singer Yma Sumac. It reached Billboard 's top ten and became a staple of The Weavers' live repertoire, achieving further exposure on their best-selling The Weavers at Carnegie Hall LP album, recorded in 1955 and issued in 1957. The Weavers credited the song as "Traditional", with arrangement by "Paul Campbell", later found to be a pseudonym used by the Weavers in order to claim royalties. Their version contained the chanting chorus "Wimoweh" and Linda's improvised melodic line. In November 1951, after having performed the song for at least a year in their concerts, The Weavers recorded an adapted version with brass and string orchestra and chorus and released it as a 78 single titled "Wimoweh", a mishearing of the original song's chorus of " Uyimbube" ("You are a lion" in Zulu). In 1949, Alan Lomax, then working as folk music director for Decca Records, brought Solomon Linda's 78 recording to the attention of his friend Pete Seeger of the folk group The Weavers. Linda's song also gave the name to a style of African a cappella music that evolved into isicathamiya (also called mbube), popularized by Ladysmith Black Mambazo. By 1948, the song had sold over 100,000 copies in Africa and among black South African immigrants in Great Britain. Issued by Gallo as a 78-rpm phonograph record in 1939, and marketed to black audiences, "Mbube" became a hit and Linda a star throughout South Africa. In the jungle, the mighty jungle, the lion sleeps tonight. The third take was the best, achieving immortality when Solly took a deep breath, opened his mouth, and improvised the melody that the world now associates with these words: "Mbube" wasn't the most remarkable tune, but there was something compelling about the underlying chant, a dense meshing of low male voices above which Solomon yodelled and howled for two exhilarating minutes, improvising occasionally. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs, including "Mbube", which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups, including the Zulu. "Mbube" ( Zulu for "lion") was written by Solomon Linda, a South African Zulu singer, who worked for the Gallo Record Company in Johannesburg as a cleaner and record packer. Problems playing this file? See media help. This song is written and composed in the key of E. The pop group Tight Fit had a number one hit in the UK with the song in 1982. It went on to earn millions in royalties from cover versions and film licensing. In 1961, a version adapted into English with the title "The Lion Sleeps Tonight" became a number-one hit in the United States as by the doo-wop group the Tokens. Artists who recorded various versions of the song included Henri Salvador, Jimmy Dorsey, Yma Sumac, Noro Morales, Miriam Makeba, and the Kingston Trio. It was recorded as " Wimoweh" by the Weavers in November 1951, and published by Folkways Music Publishers in December 1951. The song was adapted and covered internationally by many pop and folk revival artists in the 1950s and 1960s. Linda's original was written in isiZulu, while the English version's lyrics were written by George David Weiss. " The Lion Sleeps Tonight" is a song originally written and recorded by Solomon Linda under the title " Mbube" for the South African Gallo Record Company in 1939. The Lion Sleeps Tonight (Wimoweh) (Audio) on YouTube JSTOR ( May 2019) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "The Lion Sleeps Tonight" – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. Very funny pictures kamagra oral jelly next day The Korea Composite Stock Price Index (KOSPI) edgedup 0.1 percent to 2,042.94 points by 0235 GMT, struggling tobreakthrough the 2,050 point level, which is the upper limit ofa range analysts say the main bourse has been trapped within.Įither way, these are added costs from renewable power whichwere not properly drawn attention to or prepared for by nationalgovernments or the European Commission at the outset of theirgrand project to boost renewable energy. The Cotai strip of reclaimed land is currently the mostpopular gambling destination in Macau, with punters drawn to itslavish casinos that include Galaxy’s gilded palace and the CotaiCentral and the Venetian, owned by Sands. Many homes and farms were largely half-submerged. 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How many days will it take for the cheque to clear? where to buy viagra in san antonio She pointed out that people with cancer who have diabetes and are obese are already a more vulnerable group when it comes to surgery, due to an increased risk of complications during and after surgery. It would have higher damage than the other smgs but a lower time to kill due to other smg's having full-auto fire (I know the M1 carbine can full-auto in real life, and it could just be far less controllable in full-auto meaning it would be pretty bad aside from point-blank panic firing). For swat, this weapon would be the most accurate weapon it has access to allowing it to mimic the long range killing capacities of a commando using semi-auto. It would have a hard time against large zeds though. If this weapon were 4 or 5 weight, it would be a better complement to the Railgun than the Win94 or the 500 Magnum due to it being better suited for headshotting trash enemies rather than overkilling or bodyshotting them. Reason: Sharpshooter has problems dealing with trash when using a Railgun. I feel this weapon would have a unique niche almost as a precision weapon for Demo where it is also good for killing a point blank enemy while still hitting farther enemies as the projectile travels through close range enemies and explodes farther away with a low risk of self-damage.įunction: Lower damage, lower weight, secondary trash clear for sharpshooter, and a longer range semi-auto option for swat. The problem I see currently with Demo weapons is that they are either almost useless at close range (RPG, all grenade launchers) or only useable at close range (kaboomstick and hx-25) with the exception of the M16 M203. Once the shell has passed a certain distance (within 5-10 meters) it will lose the penetration power and become primed to explode in a smaller radius than an M203 or M79 but slightly more radius than a seeker six. Reason: This weapon could have a mechanic where the shells will have penetration power at close range. It should be for trash clear and maybe a scrake with good aim.įunction: Accurate longer-range fire with a smaller blast radius while not being a detriment at close range. The downside of it should not be capable of shredding a fleshpound reliably in one magazine. It would fill a niche that no other weapon occupies yet. I see a lot of less experienced players struggle with the high recoil of the Glock and feel that a tradeoff of not being able to dual wield a stocked pistol would be fair in exchange for a gunslinger to have a less aim reliant weapon at close range. A fully automatic pistol would definitely stand out if it had the recoil of an smg. Reason: After using the Glock 18c for Gunslinger, the recoil made it pretty unbearable to use if you didn't practice with the gun for a while. Perk: Gunslinger / Secondary Sharpshooterįunction: Full Auto weapon for gunslinger and maybe secondary weapon for sharpshooter. Weapon: Mauser Broomhandle (Or any other full-auto pistol with a stock). I spent a year with this game and I'm pretty much a noob quite honestly but to see some shady nerfs to some of the demons just to bring the inexperienced players in when there is an entire campaign to challenge and teach them, it's just not right. Update: After spending some time and confronting other issues I have to tone down my vote because of downgrades made for TAG1 which I really don't appreciate. To conclude thanks to Hugo and the whole id team for everything this game has done during this terrible year. And the ost really surpassed the expectations with more amazing sounds to accompany the gameplay. And the final boss would be the terror for journalists. which I would have loved to see more of them. Visually amazing in the levels and challenging with the escalation gore nests. But still, they made it possible to find more ways to experience the gameplay with new additions of enemies and traversal stuff. I won't blame them if they rushed it to cover the year one pass expiration date, in these troubled times it's understandable. The whole game trains you to keep moving and shooting and this final boss is the biggest test of that philosophy.It's a bit shorter and unbalanced compared to the previous chapter, I was expecting more challenges, but in the end, the experience was good It's a bit shorter and unbalanced compared to the previous chapter, I was expecting more challenges, but in the end, the experience was good enough. There is also a supercharge power-up in the middle, so be sure to grab it if you’re on the brink of death. You can tell which parts are vulnerable because they glow when you shoot them. Just do the same thing and circle around, dash out of danger, don’t focus too hard on the fodder, and shoot the Icon of Sin in the parts you haven’t shot off yet. The second phase is actually pretty easy if you’ve utilized that strategy. Grab this when your health gets low, as it will top your health and armor off, which is a huge lifesaver. You’ll have to swing on some pipes to reach it. If your health gets too low and you need a quick bailout, there is a supercharge power-up at the top of the arena of the first phase. Run in a circle, constantly go from low to high elevations, and take shots at the Icon of Sin as you’re moving.ĭon’t hoard your ammo either since this is it. Take note of where the jump pads, portals, and swing pipes are as they are a great way to ditch enemies on your tail if it gets too hot. Ignoring too many of them will clog up your paths.Ĭhainsaw fuel respawns so the best strategy is to continually loop around the battlefield in a circle (while also changing what level you’re on) and grab gas tanks and anything else in your way. If they are in your path that you’ve been circling around, then it might be a good idea to take them out after using the Flame Belch or Blood Punch for some resources. The Crucible sword is great for the fiery Baron of Hell enemies. You can use three chainsaw fuels to kill some of the bigger demons to get them out of the way quickly. Chainsaw demons to get ammo and then Glory Kill some of the smaller ones to get health back. However, that doesn’t mean you should ignore the enemies outright. The best weapons to use are the Ballista, BFG, rocket launcher, and chaingun as they can do a lot of damage very quickly. If you stop and wail on the Icon of Sin or some Cacodemon, something will blindside and probably kill you if you’re playing on harder difficulties. Fire off shots at the Icon of Sin in bursts when you’re not being bombarded. While there are some caveats, the general strategy is to keep moving and not focusing on the “smaller” enemies. The problem is that it spawns in a lot of big ol’ demons at the same time, meaning you need to be constantly juggling who you’re shooting at.ĪLSO: Doom Eternal Review | Rip and tear-ific The Icon of Sin has two phases where you have to shoot his armor off and then shoot his fleshy bits in another arena. Your marching ants should now be slightly smaller than your original shape: Step 8: We’re going to contract each shape by 10 pixels so enter a 10 into the dialog box and click ok. Once you have your shape selected, go up to your toolbar at the top of your screen and choose Select> Modify> Contract: A really easy way to do this is to hold down the Cmd/Ctrl key and click on the layer thumbnail for that layer in the Layer palette. (On my layout the mat is kraft, on Kelly’s layout the mat is white.) To do this we’re going to contract each shape down by the same exact amount.įirst you need to get the marching ants around your shape again. Step 7: Our next step is going to be to add space between the shapes so our mat layer will show through. Notice at this point there is no space between the shapes – they all fit together nice and tight. Here’s what your map should look like once you’ve completed all your shapes. For my original layout this meant the entire Western half of the US but for the sake of this tutorial, I’m going to just do four states. Step 6: Now you want to deselect your shape ( Cmd+D on a Mac, Ctrl+D on a PC) and repeat steps 1-5 for ALL of the states or countries on your map. Step 5: Select a color for your shape (I went with grey tones but it doesn’t really matter) and then click ok. The easiest way to do this is to hold down the Shift+F5 key which will bring up the Fill dialog box that looks like this: Step 4: Our next step is to fill the shape we’ve created. If you’ve done it correctly, you’ll end up with a shape surrounded by marching ants like this: To close off your shape, bring your arrow back to your starting point and move it around until you see a small circle. If you want to draw an exact straight line between two points, hold down the Shift key and it will give you either a 90 or 45 degree angled line. You just point and click where you want to add a corner on your shape. If you’ve never used the Polygonal Lasso Tool before, it’s really easy. Don’t worry about all the little detailed areas, we’re going for the angular look of the shapes in Kelly’s inspiration layout so we want to keep the shape simple. Step 3: Now we’re going to use the Polygonal Lasso Tool to draw a shape around each state using the lines on the map as a guide. You’ll find it under the normal Lasso tool – it’s the lasso with the weird angles on it. Step 2: Next, you want to grab your Polygonal Lasso Tool. Don’t worry if your map image ends up pixelated, it won’t show in your final layout. I made my map fill the majority of the page. Once you have your map, you need to drag it onto your scrapbooking canvas and resize it to the size you want your final map to be. I took a screenshot from Google Maps for my map but any map image will do as long as it has the outlines of the states/countries on it. Step 1: The first thing you need to is find a map of your desired location. As always, there are a million different ways to do the same thing in Photoshop so I’m just sharing what worked for me. Kelly has an awesome tutorial over on her blog showing how she designed her map using paper, but since my layout is 100% digital, I’ve whipped up a little tutorial to show you how you can get this same look using Photoshop.Ī little note: this tutorial was written based on Photoshop CS3 so it should work in other versions of Photoshop, but I haven’t tried it using Photoshop Elements. Since I posted this layout over in the Sweet Shoppe gallery earlier this month, I’ve gotten a some questions asking how I put this layout together. Here’s my finished layout featuring Zoe Pearn’s super adorable Sunshine & Lollipops kit: Since we have yet to live on the East Coast (it’s on our short list of places to go next since it’s the one US time zone we haven’t lived in yet, haha), I decided to simplify my layout and do a single page featuring the Western half of the United States. Now while I love to travel, I certainly don’t travel as much as she does, so I decided instead to theme my layout around all the places Adam and I have lived so far. I also loved all her little circle photos representing all the places she had visited. Specifically what inspired me about this layout was the graphic shapes she gave to the states and her bold use of patterned paper against the kraft background (no surprise there, haha). She’s a girl after my own paper-lovin’ heart with the way she rocks patterned paper! Since I have an love obsession with Pinterest, I turned to my scrapbooking pin board and selected this super awesome layout by one of my absolute favorite paper scrapbookers, Kelly Purkey. For the Sugarbabe September Portfolio challenge over at Sweet Shoppe Designs, I was tasked with creating a digital scrapbooking layout based on inspiration I had saved/favorited/pinned. Here is what it looked like with my data. Replace the Mean difference in the formula with the cell containing the corresponding value additionally, replace Pooled SD with the appropriate cell. To do this, in a new cell, enter the following formula. The current version of PSPP, 0.7.3, is woefully incomplete in terms of its statistical procedure support. PSPP produces tables and charts as output, which it can produce in several formats currently, ASCII, PostScript, PDF, HTML, and SVG are supported. Calculate Cohen’s dsįinally, to calculate Cohen’s ds, simply divide the value for the difference between the group means by the pooled SD. The details of PSPP’s language are given later in this manual. The screenshot below shows the completed formula by using my example data. n 2– The cell containing the n of group 2.n 1– The cell containing the n of group 1.SD 2 – The cell containing the SD of group 2.SD 1 – The cell containing the SD of group 1.In a new cell, enter the following formula. I have described the formula, including the pooled SD, involved in calculating Cohen’s d before. Next, we need to calculate the pooled SD. What is the attitude of respondents towards learning statistics using PSPP along the following: a. The difference between the means for my data was -0.24. Here are the completed formulas when using my example data. Replace value1 in the formula with the range of cells containing the data. To work out the number of values in each data set, you can either manually count them or use the COUNT formula in a new cell to get Excel to do it for you. =STDEV(number1)Īgain, replace number1 with the range of cells containing the data. To calculate the SD, use the STDEV formula in Excel in a new cell. Replace number1 with the range of cells containing the data. To calculate the mean, in a new cell, enter the following formula. Calculate the mean, SD and nīefore you can use the Cohen’s d formula, you need to calculate the mean, SD and n for each of the groups. To understand the different Cohen’s d formula, have a look at the what is Cohen’s d post. To calculate Cohen’s d between two means you obviously need two groups of data.įor each group, you generally need to know the mean and SD of each group.īut, in this tutorial, we will calculate Cohen’s d by using a variant of the equation that takes into account the number of values in each group (n). More, specifically, it is a standardized value that indicates the difference between two means in the number of standard deviations (SDs). What is Cohen’s d?Ĭohen’s d is an effect size between two means. New periods in a person's life call for a deeper understanding of previous relationship patterns along with opportunities for clearly defining present relationships and personal aspirations.In this tutorial, I will show you how to calculate Cohen’s d in Microsoft Excel. Many of the people that I work with are going through important transitions in their 20, 30 & 40-something lives. I provide a safe and confidential setting to address emotional and behavioral problems through a collaborative and creative process. Despite challenging periods, people have enormous opportunities to live happy and healthy lives. We explore your goals in life and what gets in the way of experiencing a sense of fulfillment and purpose. I strive to listen and support the needs of my clients and explore with them meaningful changes they can make in their lives and in their personal and professional relationships. I believe in creating an open and safe environment for my clients as we work together to integrate past with present experiences. People who are struggling with depression, anxiety, a significant life transition or problems in their relationships need the time and space to organize their complex lives. (The books occur in different order in Hebrew Bibles.) As a whole the nation certainly had not been following the precepts of Torah with respect to work or anything else. This was a time when the people of Israel had abandoned God’s ways and fallen into idolatry, horrific social conditions, and a disastrous civil war, as told in the chapters of Judges immediately preceding the Book of Ruth in Christian Bibles. The story begins with a famine “in the days when the judges ruled” (Ruth 1:1). Tragedy Strikes the Family of Ruth and Naomi (Ruth 1:1-22) Back to Table of Contents Back to Table of Contents But the book is a narrative, not a theological treatise, and the story is compelling. These principles underlie the Book of Ruth. In sum, productivity of human labor is an extension of God’s work in the world, and God’s blessing on human labor is inextricably linked to God’s command to provide generously for those without the means to provide for themselves.
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